Thursday, September 17, 2026

Soaring with the Devil

 


A true story...


I woke up this morning with the ghost of an old dream still hanging around the edges of my mind—a memory of being trailed by a pair of coyotes across a lonesome wilderness meadow. It brought back a true piece of trouble from more’n thirty years past, back when the urban tide was just starting to spill heavily into the northwest corner of the San Fernando Valley.


When I first trailed my old palomino, Sunup, out to California, I made the mistake of barnin’ him down on busy Topanga Canyon Boulevard. Now, Sunup was a Montana horse; I’d bought him off the remote reaches of the North Fork Shoshone River near Cody. He was used to grizzly sign, high mountain winds, and deep snow, but fast-moving asphalt traffic was a brand of wild he’d never signed up for. After a right serious equine breakdown right on the edge of a roaring highway, I packed our gear and moved him up to a quiet boarding ranch several miles up Browns Canyon Road in Chatsworth, where the dust settled slow and the oak trees gave a horse room to breathe.


We’d been bunked up in Browns Canyon a couple of years when a new rider showed up on the place. She was a mere wisp of a gal—maybe twenty years off the calf—wearing tight riding breeches, a hard bucket on her head, and leading a high-stepping, heavyweight warmblood jumping horse. First time I laid eyes on her, she was setting up wooden jump standards near six feet high out in the dirt arena. Without a lick of hesitation, she’d put that big horse into a canter and clear those rails over and over, all by her lonesome. She looked completely fearless—or completely blind to danger, which often passes for the same thing in young blood.


Well, English trick-riding wasn’t none of my business, so I threw my dark brown Visalia saddle over Sunup’s back, checked his rawhide bosal and mecate reins, and took off for our usual two-hour trek up Mormon Canyon. That trail followed along the cool, lush riparian habitat of Browns Creek, snaking through cottonwoods, sycamores, and elderberries right into the shadow of the Santa Susana crags.


Now, the ranch had a big, rolling pasture where the turnout herd lived. Most folks stayed clear of it because the good trail headed off the other way up the canyon, but one late evening I pulled up to the barn and spotted that gal’s fancy warmblood inside the pasture wire—fully tacked up, bridle on, and dragging his reins through the wild oat grass.


Figuring she’d been tossed, I climbed through the barbed wire fence, caught her horse by the leather, and started walking toward a small grassy mound that concealed the far side of the field. I walked him on foot rather than swinging up into the leather, because I ain't got much use for those little English postage-stamp saddles. Their iron stirrups look more like a Chinese puzzle box than something a sensible cowboy ought to put his boot into.


I’d covered maybe four hundred yards when I topped the rise and found her sitting in the weeds. She didn't say a word. As soon as I handed over the leather, she grabbed the reins, mounted up, and vanished over the ridge in a flash without so much as a "thank you" or "go to hell."



I turned back toward the fence, thinking to myself how manners had sure gone to seed in the younger generation. But right then, the sun dropped behind the ridge and the dark settled in fast. I realized I had three hundred yards of open pasture to cover back to the wire—and right on my flank, slipping through the sagebrush, was a pair of coyotes.


Now, seeing wild country stock wasn't strange to me; I saw plenty of wildlife up Mormon Canyon. But I was usually sitting high in the saddle on a good cow-horse, not shuffling through the weeds on my own two feet. I checked my courage and reached down for the horseman’s knife clipped to my belt. I was healthy and plenty stout back then, so I figured those brush-wolves were just curious rather than looking for a fight. Still, I was a mighty relieved hand when I slid back through the barbed wire fence and saw those two shadows turn back into the canyon oak brush.


A couple of days later, I was driving my truck up Browns Canyon Road when I rounded a bend and saw the timber guardrails on a small bridge smashed to flinders, strung over with yellow police caution tape.


When I pulled into the ranch, the local boys filled in the rest of the story. That little wisp of a gal had driven her pickup clean through the bridge timbers and dropped straight into the creek bed below. When the sheriff’s deputies fished her out of the cab, they found packets of cocaine scattered all through the wreck.


I never saw her or that big warmblood again. Every now and then, when the evening wind blows cold off the Santa Susanas, I think about that young gal-child and her big horse, soaring six feet in the air, high on devil’s dust. And I offer up a quiet word of thanks that I was riding a steady Montana horse, kept my boots grounded in the stirrups, and let the devil fly right on by.


-- Drifting Cowboy




Wednesday, September 16, 2026

William Lawrence Boyd: The World Would Know Him as Hopalong Cassidy

 


The wind over the Ohio River valley carried the cold scent of autumn in 1898, but inside the small cottage near Hendrysburg, the fire burned warm. A young, silver-haired boy sat cross-legged on the floor, listening intently as his father, Charles William Boyd, cleaned his iron-frame revolver.

"Your grandfathers weren't men who stayed put, Billy," Charles said, running an oiled rag down the steel barrel. "The Boyds have always had dust on their boots."

Young William Lawrence Boyd—decades before the world would know him in black velvet as Hopalong Cassidy—watched his father’s steady hands. He didn't yet know that the blood in his veins was shared with a long line of pioneers, soldiers, and wanderers who had carved a path across the American frontier.

Generations earlier, in 1691, the immigrant George Boyd Sr. stepped off a wooden ship onto American soil, leaving the old world behind to plant roots in early Pennsylvania. While one branch of his descendants—leading toward young Billy—eventually built a life in the quiet farm towns of Ohio, another branch carrying the exact same Boyd DNA drifted deep into the rugged wilderness of the southern frontier.

While William’s direct ancestors tilled the midwestern soil, his cousins were fighting for the birth of a nation. James Boyd, a veteran of the Revolutionary War, carried his musket through the eastern forests, defending the dream of a new republic. His son, Lt. James Boyd, took up the mantle years later, riding with Booth’s East Tennessee Militia through the dense pine woods and muddy trails of the southern borderlands.

By the late 19th century, while Charles Boyd was raising young Billy in Ohio, their kin Franklin Jackson Bailey was looking even further west—packing his wagons and heading into the vast, open plains of Montana to stake his claim as a homesteader under the endless northern sky.

"Where did they all go, Pa?" Billy asked, looking up at his father.

"Everywhere the trail took them," Charles smiled, holstering the sidearm. "Some stayed to farm, some fought for the country, and some just kept riding until they ran out of horizon."

When Charles passed away in 1913, eighteen-year-old William loaded his belongings onto a westbound train. He carried little money, but he possessed the striking blue eyes, easy charm, and restless spirit of his forefathers. He headed for California, working as a oil driller, a tool dresser, and a orange picker before a film camera finally caught the unmistakable presence of a man born for the saddle.

When William Lawrence Boyd finally put on the black hat, strapped on the twin silver-plated irons, and stepped onto the back of his white horse, Topper, he wasn't just playing a character named Hopalong Cassidy. He was embodying the collective spirit of the Boyds—the revolutionary soldiers, the militia lieutenants, the Montana homesteaders, and the drifting cowboys who had spent two hundred years chasing the western sun.

Famous Cowboy Kin -- Hopalong Cassidy.


As a genealogist and student of family history for over forty years; a short while back I got an email from FamilySearch(dot)Org that advertised, “SEE IF YOU’RE RELATED TO HISTORICAL FIGURES” SEE: https://www.familysearch.org/en/connect/famous

A few years earlier I’d connected with FamousKin(dot)com, and had located some pretty cool American ancestors including four of our earliest Presidents, SEE: https://famouskin.com/


So, being a fan of all things WESTERN, especially the America cowboy; I decided to do a deep dive into my family history to see if any of my cowboy heroes were lurking on distant branches of our tree... 

WILLIAM LAWRENCE BOYD aka "HOPALONG CASSIDY" 1895–1972

BIRTH 5 JUN 1895 • Hendrysburg, Belmont County, Ohio, USA

DEATH 12 SEP 1972 • Laguna Beach, Orange, California, USA

6th cousin 3x removed


William Boyd (born June 5, 1895, Hendrysburg, Ohio, U.S.—died Sept. 12, 1972, Hollywood) was an American motion-picture and television actor who was best known for his portrayal of Hopalong Cassidy in a series of western films.


William Lawrence Boyd aka "Hopalong Cassidy" 1895-1972
6th cousin 3x removed

Charles William Boyd (Hoppy Ancestor) 1870-1913
Father of William Lawrence Boyd aka "Hopalong Cassidy"

John Boyd (Hoppy Ancestor) 1832-1892
Father of Charles William Boyd (Hoppy Ancestor)

Robert Boyd (Hoppy Ancestor) 1802-1872
Father of John Boyd (Hoppy Ancestor)

John Boyd (Hoppy Ancestor) 1756-1832
Father of Robert Boyd (Hoppy Ancestor)

Henry Boyd (Hoppy Ancestor) 1732-1782
Father of John Boyd (Hoppy Ancestor)

Patrick Harrison Boyd (Hoppy Ancestor) 1711-1762
Father of Henry Boyd (Hoppy Ancestor)

John Boyd 1712-1757
Brother of Patrick Harrison Boyd (Hoppy Ancestor)

William Boyd DNA Match 1720-1794
Son of John Boyd

James Boyd * DNA Match 1757-1791
Son of William Boyd DNA Match

James Boyd 1783-1854
Son of James Boyd * DNA Match

Valentine Boyd 1811-1870
Son of James Boyd

Sophia Boyd 1836-1908
Daughter of Valentine Boyd

David Jackson Bailey 1865-1949
Son of Sophia Boyd — Great granddad


Thank you Gemini AI for your wisdom and research assistance. -- Drifting Cowboy

Tuesday, September 15, 2026

The Gun That Won the West: Oliver Winchester and the Legacy of the Model 1866

 


When we look back at the tools that built and defined the American frontier, two items stand out above all others: a cowboy’s hat on his head and a repeating rifle in his scabbard. While our cousin John Batterson Stetson gave the range its iconic headwear, it was a New York clothing manufacturer, another cousin, named Oliver Fisher Winchester (1810–1880) who put the West's most famous rifle into the hands of pioneers, lawmen, and ranch hands.



While our own family tree connects to the Winchesters through a distant 19th-century New England marriage branch, the story of how a shirt maker built a global firearms empire is one of the greatest gamble-and-grit tales in American history.

From Shirts to Firearms: An Eye for Opportunity

Born in Brookline, Massachusetts, in 1810, Oliver Winchester didn't start out as a gunsmith. He built his initial fortune in New York City and New Haven, Connecticut, as a successful dress shirt manufacturer.

In the 1850s, Winchester noticed that a division of Smith & Wesson was floundering financially while trying to market a new repeating firearm called the "Volcanic." Sensing an immense opportunity, Winchester gathered venture capital, bought out the stockholders, and relocated the business to New Haven as the New Haven Arms Company.

Engineering the Breakthrough

The early Volcanic rifles were plagued by weak, hollow-bullet cartridges that lacked stopping power. Winchester’s true genius was recognizing and backed elite engineering talent:

  1. Benjamin Tyler Henry & The Henry Rifle: Winchester assigned engineer Benjamin Tyler Henry to fix the ammunition problem. Henry developed a redesigned, brass-cased .44 caliber rimfire cartridge and enlarged the rifle frame to hold 17 rounds. Patented in 1860, the Henry Rifle became a terrifying force on Civil War battlefields, where soldiers called it "that damn Yankee rifle you can load on Sunday and shoot all week."
  2. Nelson King & The Model 1866 "Yellow Boy": In 1866, employee Nelson King solved the Henry’s biggest flaw by inventing a side loading gate and adding a protective wooden fore-stock. Renaming the firm the Winchester Repeating Arms Company, they released their first true official model: the Winchester Model 1866, affectionately nicknamed the "Yellow Boy" for its gleaming brass receiver.

"The Gun That Won the West"


While the U.S. Army was slow to adopt repeating rifles—preferring single-shot breechloaders—civilians across the Western frontier embraced the Winchester immediately. From trail drivers facing dangerous river crossings to homesteaders protecting their livestock, the lever-action Winchester provided unmatched firepower and reliability.

                             THE WINCHESTER EVOLUTION

                       

   [Volcanic Rifle]  ───>  [Henry Rifle (1860)]  ───>  [Winchester Model 1866]

   Weak cartridge,             .44 Rimfire, 17 shots,       Side-loading gate, brass frame,

   sluggish sales.             Civil War game-changer.     "The Gun That Won the West."


Oliver Winchester went on to serve as Lieutenant Governor of Connecticut (1866–1867) and built a legacy that outlived him by generations. Following his death in 1880, his son William passed away shortly after—leading William's widow, Sarah Winchester, to construct the famed Winchester Mystery House in San Jose, California.

A Shared Era on the Frontier


Whether tied by blood or bound by the shared history of the era, the story of Oliver Winchester is inseparable from the pioneer spirit. Along with Stetson hats, Visalia saddles, and trail-hardened grit, the lever-action Winchester defined an iconic era of American history.

Thank you Gemini AI for your wisdom and research assistance. -- Drifting Cowboy



Monday, September 14, 2026

The Boss of the Plains: How My Cousin Invented the Cowboy Hat

 


When we trace our roots across the American West, we often look for the gear that defined the era—the Visalia saddles, the mecate reins, the trail iron. Every now and then, though, you find out that the ultimate symbol of the American West was invented by a cousin.

Genealogy continually reminds us that history isn't just something we read about—it's something our kin built with their own hands. In the 1860s, our 6th cousin 5x removed, John Batterson Stetson (1830–1906), looked out across the Western frontier, noticed that every cowboy on the range was wearing terrible headwear, and decided to invent a legend: the Stetson cowboy hat.


John Batterson Stetson


From New Jersey Millwrighting to Pikes Peak

Born in New Jersey as the 8th of 12 children, John learned the hatter’s trade from his father, Stephen Stetson. However, as a young man, he was hit with a devastating tuberculosis diagnosis. Doctors predicted he had only a short time to live.

Deciding to see the West before his time ran out, John headed toward Pikes Peak, Colorado. Along the trail, he fell in with drovers, bullwhackers, and gold seekers. As a trained hatter, he took one look at the headwear on the trail—flea-infested coonskin caps, wool derbies, and soggy straw hats—and realized none of them were fit for the elements.

Using beaver fur and waterproof felt techniques he'd mastered back East, Stetson fashioned a lightweight, all-weather hat with a broad four-inch brim and a four-inch crown during his Western trek.


The Birth of the "Boss of the Plains"

In 1865, regaining his health and settling in Philadelphia, Stetson began manufacturing his design under the name "Boss of the Plains." It wasn't just fashion; it was the ultimate multi-tool of the frontier trail:

  • Sun & Rain Shield: The wide brim acted like a personal umbrella, keeping torrential prairie rain off a rider's neck and blazing sun out of their eyes.
  • Trail Utility: The deep crown doubled as a bucket to water a horse, while the curved brim made a cup for drinking.
  • Fire & Herd Control: It served as a bellows to fan a campfire or a visual signal to shunt cattle across a split trail.

Stetson embossed his name in gold inside every sweatband. Almost overnight, "a Stetson" became the universal name for quality headwear across the West, worn by everyone from Buffalo Bill Cody and Annie Oakley to the Texas Rangers, U.S. Cavalry, and generations of working cowpunchers.

The Crandall Connection: How We Share the Trail

Our shared bloodline traces back through our Rhode Island roots to Elder John Crandall (1612–1676), an early pioneer of Westerly, Rhode Island. From there, the Crandall bloodline splits into two branches: one leading down through the Saunders and Stetson families to John B. Stetson, and the other leading down through the Braman and Brayman lines directly to my maternal Bailey branch.


The author’s 35+ year-old Stetson fishing hat is still going strong


         Elder John Crandall (1612–1676)

                      [Our Common 6th Great-Grandfather]

                                               |

         +--------------------------------+--------------------------------+

         |                                                                    |

  Joseph Crandall (1661–1737)                     Jane Crandall (1653–1718)

         |                                                                    |

  Thankful Crandall (1690–1712)                   Jane Babcock (1670–1730)

         |                                                                |

  Thankful Saunders (1712–1782)                  James Braman (1697–1739)

         |                                                               |

  Stephen Stetson (1747–1777)                      Soloman Braman (1723–1790)

         |                                                              |

  Stephen Stetson (1773–1820)                      William Braman (1753–1804)

         |                                                                 |

  Stephen Stetson (1796–1878)                      Waterman F. Brayman (1786–1865)

         |                                                                    |

JOHN BATTERSON STETSON (1830–1906)    Elvira W. Brayman (1822–1909)

  [Inventor of the Cowboy Hat]                                          |

  [6th Cousin 5x Removed]                              Marcus M. Pierce (1842–1882)

                                                                             |

                                                                         Lillian Amanda Pierce (1867–1957)

                                                                           |

                                                                         Velma Veda Bailey (1914–2004)

                                                                                  |

                                                                         DRIFTING COWBOY



Thank you Gemini AI for your wisdom and research assistance. -- Drifting Cowboy


Checkout some Stetson advertising across the years… 

https://youtu.be/3wCg5f_-4kg