Friday, November 13, 2026

Forest Council: First Nations chief speaks with animals in the forest, including Buffalo, Fox, Raccoon and Rabbit

 


Forest Council (Grok Story One)


In the quiet heart of the ancient woods, where the pines whispered secrets older than memory, the chief known as Whispering Wind sat upon a fallen log. His feathered headdress caught the last gold of the evening sun. Around him gathered the four who had answered his silent call.


Buffalo stood first, massive and steady, his dark hide smelling of prairie grass and distant storms. “The herds grow restless,” he rumbled. “The rivers shrink, and the young ones ask why the earth grows hard beneath their hooves.”


Fox, sleek and bright-eyed, flicked her white-tipped tail. “I have seen the two-legged ones push farther into the green places. Their fires burn longer each night. The trails I once owned are no longer mine alone.”


Raccoon, clever paws folded, nodded from a mossy stone. “They leave shiny things that cut the paws, and food that makes the belly ache. Yet some of them still leave offerings by the streams. Not all hearts are closed.”


Rabbit, small and pale in the fading light, spoke last, voice soft as new leaves. “My kits hide more often. The open meadows feel smaller. Still… the moon rises the same. Hope is a quiet thing, but it lives.”


Whispering Wind listened until the forest itself seemed to lean closer. Then he spoke, his words measured like the beat of a distant drum.“


Brothers and sister of the wild, we are not separate. The buffalo’s strength, the fox’s cunning, the raccoon’s clever hands, the rabbit’s watchful heart—these are gifts the Creator placed among us all. The two-legged ones have forgotten the old agreements, yet some still remember the songs. We will not meet them with only anger. We will meet them with truth.”


He raised a hand toward the darkening canopy. “Tonight we form the Forest Council. Buffalo, you will carry the message of plenty and balance. Fox, you will watch the edges and bring word of every change. Raccoon, you will teach the young ones how to live beside the strange new things without losing themselves. Rabbit, you will remind us all that courage can be small and still be strong.”


The animals bowed their heads. In the deepening dusk a single owl called, and the wind moved gently through the trees as if sealing the vow.


When the first stars appeared, the council rose. Buffalo turned toward the open plains, Fox slipped into the shadows, Raccoon climbed toward the treetops, and Rabbit vanished into the undergrowth. Whispering Wind remained a moment longer, one hand resting on the carved wood of the staff he carried, listening to the forest breathe.



Forest Council (Gemini Story Two)


The fire crackled low in the center of the clearing, sending thin ribbons of cedar smoke up into the twilight canopy. Around the warm glow sat the elders of the deep woods, waiting in respectful silence as the Chief took his place upon a fallen oak.


He rested his hands on his knees and looked across the embers, his voice steady and deep like the wind moving through tall pines. "Winter comes early this year, my brothers. The river runs low, and the acorn harvest was thin. We must speak of how the forest will endure."


Buffalo, massive and dark as a thunderhead, shifted his heavy shoulders, causing the dry leaves beneath him to crunch. He snorted a plume of white mist into the cool air. "The northern plains are already stripped bare by the frost, Chief," Buffalo rumbled, his voice vibrating in the chests of all who listened. "My herd must move south toward the sheltered valleys before the snows block the passes. We will leave the high meadows to the wind, though our hooves will tread lightly so we do not trample the winter roots."


Fox, seated beside a mossy boulder with his thick tail curled neatly over his paws, tilted his sharp face toward the firelight. His amber eyes glinted with quiet calculation. "Moving south is wise for the heavy-footed, Buffalo, yet it leaves the borderlands open to the hungry," Fox said smoothly. "The grey wolves are gathering near the ridge. If the herd departs, they will turn their eyes toward the smaller burrows. I will walk the ridgeline at dusk and dawn, laying false trails to keep their noses turned away from the valley."


Near the edge of the light, Raccoon paused from washing a smooth river stone in his nimble, dark paws. He peered up through his black mask, his voice quick and curious. "False trails work well until the first deep freeze, Fox, when scent fades into the ice. The two-legged ones have left stores of grain near the river bend, and their fences are weak. Still, taking from them brings loud thunder and sharp traps. Instead, I know every hollow log and hidden cache between the creek and the ridge. I will share the locations of the forgotten berry thickets and nut stores with any who struggle to find them."


Finally, Rabbit, who had been sitting motionless with his long ears angled toward the shadows, gave a soft thump of his hind foot. He spoke gently, yet his words carried clearly across the clearing. "We cannot outrun the cold, nor can we fight the wolf, so we must rely on our eyes and ears. My kin are many, and we know every briar patch and underground tunnel in these woods. If danger approaches—whether wolf, bear, or hunter—we will carry the warning from burrow to burrow faster than the wind can blow."


The Chief nodded slowly, taking in the wisdom of each creature—the strength of the wanderer, the cunning of the scout, the resourcefulness of the gatherer, and the vigilance of the swift.


He reached into a leather pouch at his belt and scattered a pinch of dried sage into the flames. A sweet, cleansing fragrance rose above the clearing. "Your words are true," the Chief said softly. "Each of you carries a piece of the survival we all share. My people will leave winter squash and dried corn along the southern edge of the timber, where the snow does not drift high, so none go hungry when the ice locks the earth. Go now, and walk in peace until the spring thaw."


One by one, the creatures bowed their heads to the fire and slipped back into the quiet dark of the forest, bound together by the ancient promise of the council.








The meeting was ended, yet the council had only just begun.


Friday, November 6, 2026

A Legacy Carved in Pine and Prairie Dreams: Jerry England's Cowboy Folk Art Furniture (1989–2002)

 


In the late summer of 1989, the creak of weathered floorboards at the Buffalo Bill Museum in Cody, Wyoming, stirred something deep in Jerry England's soul. The air was thick with the scent of aged leather and polished pine, and there, under the glow of amber light, Thomas Molesworth’s Cowboy High Style furniture stood like sentinels of the Old West—rugged, yet tender with carved motifs of galloping horses and desert blooms. That moment, sharp as a spur’s jangle, set Jerry’s hands to work. For over a dozen years, under the banner Lure of the Dim Trails, his California workshop hummed with the buzz of saws, the tang of fresh-cut wood, and the soft thud of mallet on chisel, birthing hundreds of folk-art pieces that sang of the frontier’s untamed heart.


Each creation was a sensory tapestry, woven with the grit and grace of cowboy life. Run your fingers across one of Jerry’s folk-art chairs, and you’d feel the smooth, cool grain of pine, chip-carved with patterns that echoed the rhythm of hoofbeats on a dusty trail. The cowhide cushions, sun-warmed and supple, beckoned you to “come sit a spell” beside an imagined hearth, its crackle mingling with the faint musk of oiled hide. His beds were storytelling giants: picture a headboard where the silhouette of Annie Oakley gazed over a carved “Trail Herd,” the wood’s knots and swirls conjuring moonlit prairies, the air alive with the lowing of cattle and the creak of saddlebags. Desks, sturdy as a rancher’s resolve, bore the patina of weathered journals, adorned with Colt revolver posters and hat racks that curved like sagebrush in a desert wind. Blanket chests and toy boxes, etched with whimsical steers and stars, smelled faintly of pine, guarding quilts and treasures with a promise of permanence. Grand armoires and credenzas loomed like deluxe ranch outposts, their surfaces gleaming under lamplight, while saddles and bridles, repurposed as decor, dangled with the jingle of silver conchos, whispering tales of long rides.



Jerry’s craft was no solitary dance. His mother, grandmother, and great-grandmother, their needles flashing through Montana’s crisp 1930s air, stitched a Pinwheel Quilt that pulsed with reds and blues, its triumph at the 1960s Los Angeles County Fair still vivid in family lore. His father, a third-generation woodworker, shaped a leaded-glass “Cactus” lamp in the 1980s, its emerald and amber glow casting desert shadows that seemed to guide Jerry’s hands. In his 1997 shop, the air buzzed with sawdust motes dancing in sunlight, the clatter of tools blending with the faint hum of Merle Haggard on a radio, as ancestral whispers fueled his vision. Each piece was a bridge to a West both real and mythic, transforming homes into havens where boots tapped on pine floors and coffee steamed in tin mugs.



The world took notice. In June 1994, West Magazine’s cover blazed with Jerry’s work under the banner “Cowboy Home,” the ink’s sharp scent heralding his ascent. At the 1995 Santa Clarita Cowboy Poetry Festival and the Tucson Show, his displays drew gasps—booths alive with the gleam of polished wood, the rustle of leather, and the chatter of admirers. Hollywood stars, musicians, and artists, their names lost to time’s soft fade, carried his pieces to their sanctuaries, where they stood as bold as a canyon sunrise. These were furnishings for souls who lived loud, their lives as vibrant as the turquoise and rust hues Jerry wove into his designs.


By 2002, after twelve years of sweat and sawdust, Jerry laid down his tools, the workshop’s hum giving way to quiet. Yet, as he reflected in 2021 on his blog A Drifting Cowboy, the echo of old customers’ notes—warm as a campfire’s glow—proved his art still lived in their homes and hearts. “Credit for my desire to create goes to my ancestors,” he wrote, his words carrying the weight of a branding iron.


To my descendants, generations yet to roam: Your ancestor Jerry England was a poet of pine and prairie, his hands shaping not just furniture but a West that breathes. Feel the worn leather of his chairs, smell the pine in his chests, see the starlit trails in his carvings. In every knot and curve lies our family’s fire—resilient, restless, forever chasing the dim trails’ call. Find his works in scattered homes, touch them, and let their stories spur you to carve your own. The range is yours.



See the video, Rancho Deluxe, Jerry and Joyce England's cowboy home in the mid 1990s

https://youtu.be/oelGU8VHYY0





Sunday, November 1, 2026

LagacĂ© of the Missouri:  A Voyageur’s Life Among the Ponca A Saga of Jean-Baptiste Meunier dit LagacĂ© (1749–1822) 

 


Chapter One – Roots in the Lower St. Lawrence (1749–early 1770s)


In the cool, clear light of morning on the 8th of April, 1749, amid the rugged shores of Kamouraska, Jean-Baptiste Meunier dit Lagacé entered the world. The salty tang of the St. Lawrence River mingled with the earthy scent of pine forests and fresh-tilled soil. A chill breeze off the water carried the distant cries of gulls and the rhythmic lap of waves against rocky banks. It whispered of wider waters and longer journeys, though no one in the modest family cabin could yet hear how far those whispers would carry the newborn son of Joseph Mignier Lagacé and Félicité Caouette.


The world that received him was one of narrow clearings and long winters. Kamouraska and the neighboring parishes along the south shore—Ste-Anne-de-la-Pocatière, Cap-Saint-Ignace—lived by the river’s moods. Spring brought the breakup of ice, the first canoes, and the smell of wet earth. Summer meant long days in the fields, the creak of wooden plows, and the warm, yeasty aroma of hearth-baked bread. Autumn filled the air with woodsmoke and the sharp scent of curing fish. Winter locked the land under snow and silence, broken only by the crack of frost in the timbers and the distant howl of wolves.


Jean-Baptiste grew up in a household already marked by the voyageur’s calling. His father Joseph had known the rivers; uncles and older brothers—AndrĂ© and Charles among them—would follow the same paths of paddle and portage. The “dit LagacĂ©” name itself carried the echo of earlier generations who had come from France with the Carignan-Salières Regiment and stayed to carve lives from the St. Lawrence valley. Stories told around the fire spoke of distant posts, of Indigenous allies and rivals, of the weight of a packed canoe and the freedom of open water. Even as a boy he absorbed the language of the trade: the difference between an avant and a milieu, the value of a good sash and a sharp axe, the way a man measured distance not in leagues alone but in the number of pipes smoked between rests.


Parish life gave the years their outward shape. Baptism, first communion, the weekly Mass in stone churches that smelled of beeswax and damp mortar. The priest’s Latin, the congregation’s French, the occasional Indigenous visitor whose presence reminded everyone that the valley was still a borderland. Jean-Baptiste learned his letters imperfectly or not at all—like many who would later mark contracts with an “X”—but he learned the deeper literacy of river and forest: how to read weather in the clouds, how to judge the strength of a current, how to move quietly through woods where a misstep could mean a twisted ankle or worse.


By his mid-teens the pattern of the shore had begun to feel too small. The Conquest had changed the flag above Montreal, yet the fur trade continued, now under British merchants who still needed the skills of French-Canadian paddlers. Young men left each spring for the pays d’en haut and returned—if they returned—with wages, stories, and a restlessness that no plow could cure. Jean-Baptiste watched them go and felt the same pull. The rivers beyond the St. Lawrence promised more than the narrow fields of Kamouraska: wider horizons, harder tests, and a chance to write his own name, however roughly, into the ledgers of a larger world.


In the early 1770s, somewhere in his early twenties, he made the choice that would define him. He turned from the familiar creak of the plow toward the port of Montreal, toward the notaries’ offices and the bobbing canoes, toward the life of a voyageur. The salty tang of the lower St. Lawrence would stay in his memory, a baseline against which every later river—the Mississippi, the Missouri, the Niobrara—would be measured. But the current that carried him outward had already taken hold.


The boy from Kamouraska was becoming the man the trade would shape: resilient, practical, marked by long absences and the quiet knowledge that home was both a place on the map and a direction the heart remembered when the paddle rose and fell in endless rhythm.

NEXT CHAPTER: LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Two – Marriage and the First Contracts (1775–1779)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_0819554216.html



ALL CHAPTERS...

LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca A Saga of Jean-Baptiste Meunier dit LagacĂ© (1749–1822) 


LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter One – Roots in the Lower St. Lawrence (1749–early 1770s)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_01211928148.html


LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Two – Marriage and the First Contracts (1775–1779)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_0819554216.html



LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Three – South to the Illinois Country and St. Louis (late 1770s–1780s)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_0874299655.html



LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Four – “Discovering” the Ponca (1789–1793)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_02033968713.html



LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Five – The Trading House at the Niobrara (1794–mid-1790s)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_0822708072.html



LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Six – Currents of Commerce: The Missouri Fur Trade in the 1790s

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_01889888280.html



LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Chapter Seven – The Fading of the Monopoly and the Long Return (mid-1790s–1822)

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_095896199.html


LagacĂ© of the Missouri: A Voyageur’s Life Among the Ponca -- Epilogue – Legacy in Ledgers and Memory

https://laprairie-voyageur-canoes.blogspot.com/2026/11/lagace-of-missouri-voyageurs-life-among_01294428164.html



ReelzChannel's Hollywood Dailies: "HOLLYWOOD WAS HERE - IVERSON MOVIE RANCH"


As I move into my 84th year on spaceship Earth I realize it's always a good idea to check your backtrail from time to time.


I recently posted a link to my visit with John Bartell and his ABC10 episode of Bartell's Backroads titled: "Backroads Iconic sandstone formations helped shape more than 2,000 Hollywood films."


What a shocker... seeing myself in the video reminded me of just old I am, and it reminded me of a time--nearly 20 years ago--that I was the last cowboy to be filmed riding on the Iverson Movie Ranch. 



Check out the full episode below...

ReelzChannel's Hollywood Dailies: 

"HOLLYWOOD WAS HERE - IVERSON MOVIE RANCH"

Scott Conley, Host 

Jerry England, Guest Movie Historian

Chris Meagher, Producer

Tracy Birdsell Photographer


https://www.youtube.com/watch?v=eOS5IpngZKw



Thursday, October 29, 2026

Memories of Rancho Deluxe -- Jerry England's Cowboy Folk Art

 


Jerry and Joyce England's cowboy home in the mid 1990s

https://youtu.be/oelGU8VHYY0

Between 1989 and 2002, Jerry England designed and crafted Molesworth inspired cowboy folk art furniture. He decorated his home in California which became his showroom.Here's the rest of the story...


A Legacy Carved in Pine and Prairie Dreams: Jerry England's Cowboy Folk Art Furniture (1989–2002)

https://a-drifting-cowboy.blogspot.com/2026/11/a-legacy-carved-in-pine-and-prairie.html