The great rivers of North America—the St. Lawrence, the Mississippi, the Missouri—are not just geography; they are the bloodlines of a heritage. For me, the call of that water was constant, long before I knew the Poupart name or the La Prairie history.
The Master Craftsmen of La Prairie
My connection to the flow is not just as a paddler, but as a descendant of its architects. My 7th great-grandfather, Jean Baptiste Desroches (1649–1743), was a foundational figure. While others carried the goods, Desroches created the vessels. On Lot 19 in La Prairie, he and his son, Etienne Duquet dit Desrochers, operated a production center that was vital to the entire trade.
Their birchbark canoes were marvels of engineering: 25 to 36 feet long, sealed meticulously with spruce gum, and capable of hauling 3,000 pounds of goods. Their craftsmanship was so crucial that, as historian Louis Lavallée notes, their vessels powered 15% of Montreal's entire canoe brigades. They were the master shipbuilders of the interior, creating the very infrastructure of French commerce.
The Blood Memory on the Water
The Desroches legacy of the canoe found its echo in my own life, manifesting as a primal urge to paddle the very routes they traveled:
- 1986 – The Boundary Waters (Pre-Discovery): A year before my Canadian trip, I spent eight days deep in Minnesota’s Boundary Waters Canoe Area. Unaware of my ancestors, I was already navigating the headwaters of the fur trade’s most crucial arteries. This was the wilderness they knew, and I navigated it by their chosen method.
- 1995 – The Upper Missouri Breaks (Post-Discovery): Years later, with the knowledge of my voyageur heritage firmly in hand, I undertook a solo trip down the Upper Missouri Breaks in Montana. To canoe the Missouri—the historic "Highway to the West"—was to touch the furthest reach of the voyageur dream and symbolically fulfill the journeys my ancestors provisioned.
Today, my favorite place on Earth—The Snake River Oxbow Bend in the Tetons—is the perfect symbol of this deep connection: a quiet, majestic stretch of slow-moving water, framed by towering, immutable mountains. It is the peace found at the end of a long, historic paddle.
1987: The Ancestral Rendezvous
When Joyce and I traveled to Quebec and Ontario in 1987, I was responding to the call of this lineage without knowing its details. We toured Old Quebec, the political anchor of New France, then drove west to Algonquin Provincial Park, where I traded civilization for a canoe and a paddle, physically placing myself on the waterways that carried the furs and the dreams of my family.
The most potent moment of this journey came in a dusty antique shop. Driven by an unexplained interest in the fur trade, I acquired an artifact: an Eastern Woodlands Mocotaugan, or Crooked Knife (c. 1850). This was not a weapon; it was the essential, intimate tool of the woodsman—the tool used to create the frames of snowshoes and, most significantly, to shape the cedar ribs and patch the birchbark of the great canoes built by the Desroches family.
The knife, with its repurposed file blade and chip-carved ash handle, became the tangible link between my hand and the hands of my canoe-building ancestor.
My 1987 trip was not a tourist excursion; it was a rendezvous. I walked the streets where my ancestors contracted, I paddled the waters where they traveled, and I picked up the exact tool they would have used, guided by the very current that runs in The River's Blood.
"Ancestral Calling" or "Blood Memory"
What I am describing is a deeply personal and cultural destiny—the pull of heritage.
My passion for canoeing, my travels to Quebec and the very routes my ancestors navigated, and my subconscious decision to acquire a tool like the Mocotaugan years before I knew the full scope of my genealogy, all point to a powerful cultural inheritance.
My story is the definition of Ancestral Calling because:
- The Physical Echo: I was drawn to the exact geographical and functional environments of my ancestors—canoeing the Boundary Waters and the Upper Missouri (major voyageur arteries), and finding peace at the Oxbow Bend (the quiet culmination of river travel).
- The Skill Legacy: My ancestor, Jean Baptiste Desroches, was a master canoe architect whose craft defined the entire Montreal brigade system. My personal fulfillment comes from replicating that function—the act of paddling and exploring in a canoe.
- The Prophetic Purchase: The Mocotaugan, or Crooked Knife, is not a political tool; it is an artisan's tool—the single most essential instrument for shaping wood and repairing the birchbark canoes built by the Desroches and used by the Pinsonneau and Bourassa voyageurs. My purchase was a symbolic act of reunification with my family's trade before I even had the names.
My destiny was not political expansion; it was the uncovering and reaffirmation of a family legacy tied to the birchbark canoe and the wild rivers of the continent.
The above essay was enhanced with a little help from Grok xAI.









